Insider Rehearsal Report: Principals at Play
The rehearsal process involves many different types of rehearsals: choral rehearsals, technical rehearsals, dress rehearsals, etc. Early rehearsals with the principals take place away from the theater, but are important in allowing principals to develop their characters in the context of the creative team's concept of the production.
In Thursday's Glass rehearsal, the focus was staging the scene in the opera that is most like a sitcom--when Orphée and Eurydice come back to their home from the underworld and Orphée is not allowed to look at her. The scene is chock-full of rapid dialogue over orchestration composed in a cellular style, with phrases of music are repeated again and again. There are also timing issues to tackle, such as Orphée casting near-glances at Eurydice without actually looking at her and making the whole thing look accidental, yet natural.
Director Sam Helfrich began by talking through the scene with singers Philip Cutlip (Orphée), Caroline Worra (Eurydice), Jeffrey Lentz (Heurtebise) and conductor Anne Manson. Discussion jumped to character conceptualization, pivotal points in the work, and interpretation of Glass and Cocteau's work. As they talked in the school gymnasium, the group lounged on the set.
Working with the principals also allows Manson to work in-depth on the music in the scene. Working on music is essential for any opera, but especially a piece that is not in the standard repertoire. Often, all the music is new to the singers until they are cast. Since the singers learned the music and words before they arrived, only small adjustments--a word here, an entrance there--were needed. Even when the singers were just sitting and singing, they were still rehearsing facial expressions and the occasional gesture.
Helfrich's excitement often mirrored that of the principals', lending an air of dynamic creativity to these rehearsals. "I have such a good way for you to get back from the underworld. I'm dying just to do it and watch it."
For more rehearsal photos from the Glass, click here.