Glimmerglass productions get seven onstage tech rehearsals prior to dress rehearsals with piano and orchestra. Often, this means they hit the stage while still finalizing choreography and staging, and before all costumes and set elements are completed. This schedule gives the creative team a chance to see all of the elements together, which means if things need to change, there are still two weeks to fix them. This week it's Offenbach and Gluck on stage.
Gluck chorus member and Music Intern Dan Richards was surprised that adding technical elements made such a large difference in the way the show was performed. "Before we went to tech rehearsal, we ran the show at the rehearsal venue and it really felt like it was ready to be performed, but then we got into the space and we had to make the performance fit into that space," he said. "The artistic team tried some new ideas. Adding the set, lighting, and costume made everything come together, to feel more like a whole."
Both shows open the first weekend in July, so rehearsal time is crucial for everyone, both on-stage and off, to perfect their parts. The cast, stage and lighting crew, and creative team are in rehearsals six hours a day. Meanwhile, the other crews are still working away on props, costumes, and set pieces.
During tech rehearsals, many costumes are finished. However, there are some not quite finished and some that need to change. "It's all about being flexible--it's just adding and changing every time. Sometimes we have to make adjustments on stage, so the designers can see what it looks like," Shelby Newport, Assistant Wardrobe Supervisor, said.
One thing is for certain--everyone's busy preparing what looks to be an exciting season!